Maggie’s first real job after college was at Walt Disney Imagineering (WDI), where she realized her degree in Fine Arts had given her storytelling skills, but none in commercial design. Thus began her journey of learning whatever she could as quickly as possible–a habit that has served her well over the years. She quickly became an accomplished show designer, creating theme park attractions for Toontown and Animal Kingdom. When the urge to deepen her painting practice led her to leave Disney, she became an independent contractor, and WDI remained her biggest client. She expanded into book illustration, murals, portraits, comics, and eventually, writing books and scripts for television.
No matter what she did in her commercial work, she maintained her own painting practice. Without formal training in oil painting, she had to find the right teachers to share the skills she needed. She studied classical techniques with various master painters like Steve Huston, Cheryl Kline, Steven Assael, Jeremy Lipking, and Joseph Q. Daily. She eventually went back to school to earn a Master of Fine Arts (MFA). Through all these years, she experimented to find her own creative voice, a unique style that bridges realism with expressionism. Her commercial work now focuses on creating signature artworks for individuals and businesses–highly custom pieces that speak directly to the client’s core stories.
Maggie’s commitment to service and volunteer work expanded her passion for helping people; and informed her artistic goals as well, prioritizing heartfelt connection with her clients and creative projects. Today, she maintains a thriving business creating custom art and designs for corporations, individuals, and non-profits. She teaches other artists to utilize classical rendering techniques so they can confidently break the rules in the service of their own work. And she mentors creatives in search of deeper authenticity, healing, and self-actualization.
Most of Maggie's career has been spent designing themed environments and creating visuals (murals, portraits, presentations, illustrations) that capture the story at the heart of that project.